It can be a small skill.
The last thing I learned to do was whistle. Never could whistle my whole life, and tutorials and friends never could help me.
So, for the last month or two, I just sort of made the blow shape then spam-tried different “tongue configurations” so to speak – whenever I had free time. Monkey-at-a-typewriter type shit. It was more an absentminded thing than a practice investment.
Probably looked dumb as hell making blow noises. Felt dumb too (“what? you can’t whistle? just watch”), but I kept at it like a really really low-investment… dare I attract self-help gurus… habit.
Eventually I made a pitch, then I could shift the pitch up a little, then five pitches, then Liebestraum, then the range of a tenth or so. Skadoosh. Still doing it now lol.
(Make of this what you will: If I went the musician route my brain told me to, then I would’ve gotten bored after 1 minute of major scales. When I was stuck at only having five pitches, I had way more longevity whistle-blowing cartoonish Tom-and-Jerry-running-around chromaticisms than failing the “fa” in “do re mi fa”.)
So, Lemmings: What was the last skill you learned? And further, what was the context/way in which you learned it?
Sideshow performer. Lately been working on putting mousetraps on my tongue. It’s one of my tamer skills, but I just never really had the chance to develop that skill. It’s also one of the more child friendly skills.
That sounds less like a skill and more like a very unfortunate freak accident.
The skill with a lot of these things is knowing how to present it with confidence. Plus pain tolerance, technical skills, and theater skills.
Oh yes, I was joking, that is definitely a talent outside of my wheelhouse.
:0
every sentence there makes me want more details
AMA I guess?
Done.
Sorry for the wall x)
Very. The name of the game is risk mitigation. Most acts put only the performer at risk, but fire puts the entire theater at risk, which is why I carry insurance and follow strict protocol. I perform at a historic landmark so they don’t allow just anyone to use fire there.
I have a day job with insurance, but not everyone is so lucky and performers do get hurt sometimes. Injuries are bad because they mean taking time off to heal (a friend of mine is currently recovering from a broken rib and can’t perform). Minor cuts and burns are part of the job, you learn to manage them and move on, so we’re all covered in scars. Again, it’s all about risk mitigation.
Adult oriented shows often have more nudity/burlesque and more graphic acts, whereas kids get more traditional circus or campy horror. For example, children might see fire eating and mousetrap, while adults might get a bed of nails or human pincushion.
Tongue splits ALWAYS freak people out. So does anything involving a power drill.
I started as a fire performer and got into it through fire eating. Eventually, one thing led to another, and I was invited to join America’s last permanently housed circus sideshow. Everything blew up from there.
We’re a close-knit group, almost like family, which is special since we’re a dying breed. My favorite memories are probably the things other performers have said about me while introducing me to the stage. We love to gush about each other.
Earlier this year, one of my close friends tried to take her own life on one of my performance days. My phone blew up to the point where I couldn’t even see my GPS. My girlfriend stepped in to help thankfully. We got a group chat going, sent people to find her, got her to the hospital, and she spent a week in the psych ward.
After that, I hosted a fundraiser show that raised $1k to get her back on her feet. The event also brought a lot of people together.
If you read this far, here’s my IG