That sour electric aroma you can smell is the collective anxiety-stench of games journalists trying to decide whether it’s worth sitting through the full investor presentation in the hopes of discovering some proper context for these pitiful morsels - perhaps even a unique angle which none of those other hacks have discovered, the feckless layabouts.

So he’s taking his frustrations out on the reader by padding his article with sympathy-bait? I’ve come to really dislike Rock Paper Shotgun articles lately

I’d like to remember Evolve more fondly than I do, but I just didn’t have as much fun with it as I hoped. My strongest memories are of feeling annoyed at a constantly recharging jetpack

That person that is kind of lacking in social skills, still weirdly opinionated about really specific things, doesn’t care enough about their appearance for how old they are, and several other holdovers from being a nerdy high school shut in, but is very slowly becoming better. They’re trying to understand how to have more flexible conversations with people, figuring out a clothing style that works for them, and just doing some general growing up. They’re still kind of hard to be around, but you can tell they’ve made progress and that’s all you can really ask of them.

I think maybe you have too strong of a focus on plot. It’s there to give structure to the breakdown of a family that is passing down mental, emotional, and supernatural problems like they’re hereditary. It’s a showcase of how a family raised to be tools can devolve when they’re finally being used.

!Personally my favourite part is the massive tone shift at the very end when Peter is finally possessed and receives his revelation. It’s a beautifully crafted scene that balances being celebratory and morbid. A fantastically unique payoff to an entire movie’s worth of buildup.!<

Default is probably select all because most people interact with the address to either copy the address or clear it to enter a new address. I empathize though